Julie & Julia” was a sad movie in the least – the film glows with joy. Nora Ephron has created an elegant love letter to America’s favorite French chef and the blogger who made her name while making Julia’s recipes. Indeed, Meryl Streep brings luminosity and comedy to her tall, solid Julia Child – traits which, by all accounts, the real Ms. Child possessed in spades. And Amy Adams’ portrayal of Julie Powell is one of humor and life as well.
But when I left the movie theater last week, I wasn’t filled with a great sense of joie de vivre. Instead, I was fighting back tears.
“Julie & Julia” is based on two books: My Life in France by Julia Child and Julie and Julia: My Year of Cooking Dangerously by Julia Powell. The stories of Julie and Julia’s lives are whipped together creating a confection – and I mean that in the yummiest sense of the word -- that is both sweet and satisfying. Truly, it is a tale of passion. Julia Child, newly married, finds herself in post-war Paris where women of her station are expected to make hats and to play bridge. But when she says, “I am very conventional,” the irony is as thick as her beurre blanc. Julie Powell, also a young married woman, spends her days dealing with post-9/11 insurance calls in a scarred and broken New York City. She has written a novel no one bought and glumly cites the writer’s mantra, “You’re not a writer unless someone publishes you.”
Not only is this a movie about two women separated by half a century, it is also about their two cities separated by time as well as an ocean. Julia Child’s Paris is gorgeous – too gorgeous for post-war France. But that’s part of Ephron’s fantasy. Paris is, once again, a city of colorful markets, tidy streets, and charming patisseries where there is never a shortage of butter for the woman who loves butter as much as I do. Julie Powell, however, lives in Queens – the antithesis of Paris – on a noisy street above a pizzeria. Where Julia walks into her new Parisian apartment and declares, “It’s Versailles!” Julie turns around in her dingy kitchen and asks her husband, “What are we doing here?” Julia flourishes in Paris; Julie flourishes living vicariously through Julia.
Indeed, there’s no fighting it: you will leave the theater hungry. From piles of onions sliced for practice to boeuf bourguignon, decadent chocolate cakes, lobster thermidor, to the most gorgeous roasted chicken you’ve ever seen… the film is a visual feast. My Diet Coke and Twizzlers were rather unsatisfactory in comparison.
And therein lies the problem… after “Julie & Julia” I am having trouble being satisfied with my own real life.
But there is more to the story that satisfied stomachs. Watching the film I was struck by how many facets of my own life flickered across the screen...
Both Julie and Julia have husbands they adore and who adore them. I am so lucky to recognize that look on Paul Child’s face as he looks at Julia as the same look my own husband gives me. Where Eric is Julie’s greatest cheerleader, so, too, is my own husband mine.
And when Julia reaches across the dance floor to grasp her sister’s hand, my own hand fluttered, thinking of holding my sister’s hand at her wedding last year. The pain on Julia’s face when a baby carriage passes… I know that pain.
As Julie struggles with blogger’s narcissism – a natural byproduct of writing about yourself and your life all the time – I see myself and think, “I have to let this one blog post go and call my sister instead.” Both women ride the proverbial publishing roller coaster – the agony of rejection letters I know too well and the joy of acceptance. I remember the first comment I got on my blog. The dance Julia does when her book is finally accepted for publication – I did that dance, too. And the last vignette – as Julia holds her published book at last – left me breathless with its honest glee, a feeling I can tell you is exactly how I felt the first time I held my book, too.
But it is that question that all bloggers ask – “Is there anyone out there reading me?” – that cuts to the quick. Julie Powell had incredible, out-of-the-blue, phenomenal success as a blogger and then as a writer. Heck, I used to read The Julie/Julia Project when it was just a baby blog. And like Julie all bloggers dream of the book contract and the movie deal that allows us to leave our day jobs to do that which is truly fulfilling. Yes, even you sitting there so smug. You know that’s the pie-in-the-sky fantasy.
And we tell ourselves that it DOES happen. I mean, it happened to Julie, right? Otherwise, it is far to easy to feel like we are just spitting these words out… countless words day after day… words for which we don’t get paid but which we write because we hope that one day the book/movie/syndication fairy will drop in out of the sky and click that little “contact me” button in the right hand column… and suddenly all of that work and effort will be worth it and we, too, will have 65 phone messages from agents and publishers and t.v. producers and our books will “change the world” just like Julie and Julia’s did.
Until then, though, we must carry on. We thirty-something women (and my birthday last week planted me closer to the movie’s Julia than to Julie), we must “be fearless” as Julia admonishes. “Never apologize. No excuses. No exclamations,” she declares as she scoops up an omlette that didn’t quite flip in the pan.
And this story of two women in their thirties offers an anthem of solidarity to us all. There is more out there than making hats or answering phones. And while we may right now be working to keep the creditors at bay or to keep from defaulting on our student loans or to keep the bank from foreclosing on our homes, like Julie and Julia we must not bury our true loves. Those passions we feel are not silly indulgences. And the relationships we have are to be cherished and fed with buttery goodness.
And when I write all of that, I feel that wave of inspiration and joy that Nora Ephron wants me to feel… but it would be a lot easier to believe it all if I could look out the door and see Paris.